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African Art, the Entertainment Business Network and Hip Hop Culture

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Submitted by ania.ueno on Mon, 05/16/2022 - 17:29
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An Analysis of the Relationship between the Tonal Patterns of Hausa Speaking and the Tune of Hausa Singing  

Submitted by Anonymous (not verified) on Wed, 04/22/2020 - 11:35
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The Function of Symbolic Language in the Songs of Okot p'Bitek

Submitted by Anonymous (not verified) on Wed, 04/22/2020 - 11:34
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Music and Dance Associations of the Igede of Nigeria: The Relevance of Indigenous Communication Learning Systems in Rural Development Projects

Submitted by Anonymous (not verified) on Wed, 04/22/2020 - 11:34
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Women, Culture and the Oral Tradition in West Africa: A Study of the Griottes of Senegal

Submitted by Anonymous (not verified) on Wed, 04/22/2020 - 11:34
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Continuity and Change in The Role of the Twenty-First Century West African Griot

Submitted by Anonymous (not verified) on Wed, 04/22/2020 - 11:34
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Music and Liberation War During the Biafran War (1967-1970)

Submitted by Anonymous (not verified) on Wed, 04/22/2020 - 11:34
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Hip Hop and Politics in Dakar, Senegal

Submitted by Anonymous (not verified) on Wed, 04/22/2020 - 11:34
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“Izingoma zo Mzabalazo” Esiqithini! Role of Songs in the African Liberation Struggle of South Africa, 1960-1991, A Culture History of Robben Island

Submitted by Anonymous (not verified) on Wed, 04/22/2020 - 11:34
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